Caspar David Friedrich
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The Abbey in the Oakwood new20/Caspar David Friedrich-998756.jpg ID de tableau:: 58868
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The Abbey in the Oakwood (1808?C10). 110.4 ?? 171 cm. Alte Nationalgalerie, Berlin. This painting has been described as like "a scene from a horror movie, it [forebears] all the Gothic clich??s of the late 18th and early 19th centuries". |
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Edvard Munch new20/Caspar David Friedrich-985854.jpg ID de tableau:: 58869
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Edvard Munch, The Lonely Ones, (1899). Woodcut. Munch Museum, Oslo |
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Paul Nash, Totes Meer new20/Caspar David Friedrich-994662.jpg ID de tableau:: 58870
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Paul Nash, Totes Meer (Sea of the Dead, ', ', ', ', ', ', ', '), 1940?C41. 101.6 x 152.4 cm. Tate Gallery. Nash's work depicts a graveyard of crashed German planes comparable to The Sea of Ice (above). Nash described the image as a sea, even suggesting that the jagged forms were not metal but ice |
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Ivan Shishkin, In the Wild North new20/Caspar David Friedrich-968294.jpg ID de tableau:: 58871
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Ivan Shishkin, In the Wild North (1891). 161 x 118 cm. Kiev Museum of Russian Art |
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Old Heroes Graves new20/Caspar David Friedrich-734295.jpg ID de tableau:: 58873
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Old Heroes' Graves, (1812, ', ', ', ', ', ', ', '), 49.5 x 70.5 cm. Kunsthalle, Hamburg. A dilapidated monument inscribed "Arminius" invokes the Germanic chieftain, a symbol of nationalism, while the four tombs of fallen heroes are slightly ajar, freeing their spirits for eternity. Two French soldiers appear as small figures before a cave, lower and deep in a grotto surrounded by rock, as if farther from heaven. |
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