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Francisco de goya y Lucientes
 
Francisco de goya y Lucientes The Miracle of St Anthony oil


    The Miracle of St Anthony
   new21/Francisco de goya y Lucientes-669896.jpg
  ID de tableau::  62830
  1798 Fresco, width of detail 50 cm San Antonio de la Florida, Madrid Artist: GOYA Y LUCIENTES, Francisco de Title: The Miracle of St Anthony (detail) , painting Date: 1801-1850 Spanish : religious
   
 
 
 
 
   

Francisco de goya y Lucientes Bartolom Sureda y Miserol oil


    Bartolom Sureda y Miserol
   new21/Francisco de goya y Lucientes-877432.jpg
  ID de tableau::  62831
  1804-06 Oil on canvas, 120 x 79 cm National Gallery of Art, Washington BartolomeSureda was the director of the Spanish royal textile, crystal, and ceramic factories.He taught Goya the technique of aquatint. In 1804 Sureda became director of the porcelain works at the Buen Retiro. The companion-piece of the portrait, also in the National Gallery of Art in Washington, represents his wife. Artist: GOYA Y LUCIENTES, Francisco de Title: BartolomeSureda y Miserol , painting Date: 1801-1850 Spanish : portrait
   
 
 
 
 
   

Francisco de goya y Lucientes Portrait of Jos Antonio oil


    Portrait of Jos Antonio
   new21/Francisco de goya y Lucientes-642577.jpg
  ID de tableau::  62832
  Marques de Caballero 1807 Oil on canvas, 105,5 x 84 cm Museum of Fine Arts, Budapest Marques de Caballero (1760-1821) was the Minister of Justice when Goya painted this portrait. Goya signed the painting on the paper held by the left hand of the sitter. Artist: GOYA Y LUCIENTES, Francisco de Title: Portrait of JoseAntonio, Marques de Caballero , painting Date: 1801-1850 Spanish : portrait
   
 
 
 
 
   

Francisco de goya y Lucientes Portrait of Juan Antonio Cuervo oil


    Portrait of Juan Antonio Cuervo
   new21/Francisco de goya y Lucientes-685683.jpg
  ID de tableau::  62833
  1819 Oil on canvas, 120 x 87 cm Museum of Art, Cleveland The sitter was an architect who was appointed Director of the Royal Academy of San Fernando in August 1815. He wears the uniform of his office and holds dividers, an attribute of his profession. The plan on the table beside him is possibly for the church of Santiago in Madrid on which he had worked in 1811 and which made his reputation. The portrait was probably finished before Goya fell ill at the end of 1819 and is one of his last official portraits. The inscription indicates that it is at the same time a portrait of a friend. The painting is signed: 'Dn. Juan Anto/Cuervo/Directr de la RI/Academia de Sn/Fernando/Por su amigo Goya/ano 1819' Artist: GOYA Y LUCIENTES, Francisco de Title: Portrait of Juan Antonio Cuervo , painting Date: 1801-1850 Spanish : portrait
   
 
 
 
 
   

Francisco de goya y Lucientes Tiburcio oil


    Tiburcio
   new21/Francisco de goya y Lucientes-944935.jpg
  ID de tableau::  62834
  1820 Oil on canvas, 102 x 81 cm Metropolitan Museum of Art, new York Tiburcio Perez y Cuervo was an architect, a friend of Goya. Artist: GOYA Y LUCIENTES, Francisco de Title: Tiburcio Perez y Cuervo , painting Date: 1801-1850 Spanish : portrait
   
 
 
 
 
   

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