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Jacques-Louis David
 
Jacques-Louis  David The Grief of Andromache oil


    The Grief of Andromache
   new21/Jacques-Louis David-622395.jpg
  ID de tableau::  62513
  1782 Black chalk, pen and ink with gray wash, 290 x 246 mm Mus?e du Petit Palais, Paris This is a preparatory drawing for his painting, in which David borrowed elements from the works of Nicolas Poussin and the reliefs of antique sarcophagi. Author: DAVID, Jacques-Louis Title: The Grief of Andromache Form: graphics , 1801-1850 , French , study
   
 
 
 
 
   

Jacques-Louis  David Portrait of Marie oil


    Portrait of Marie
   new21/Jacques-Louis David-862846.jpg
  ID de tableau::  62869
  1769 Oil on canvas, 66 x 54 cm Musee National des Beaux-Arts, Algiers As with many other young artists, David used his close relatives as models for his first portraits. As well as his uncle Buron, he also painted his aunt, Marie-Josephe, and her daughter, Marie-Franeoise, who had supported his wish to become a painter. Both paintings show a directness of approach and a sympathetic contact between artist and sitter that anticipate David's later successes in portraiture. Artist: DAVID, Jacques-Louis Title: Portrait of Marie-Franeoise Buron , painting Date: 1801-1850 French : portrait
   
 
 
 
 
   

Jacques-Louis  David Hector oil


    Hector
   new21/Jacques-Louis David-455446.jpg
  ID de tableau::  62870
  Oil on canvas, 123 x 172 cm Musee Fabre, Montpellier David discovered the dramatically lit and forceful canvases of Caravaggio and his followers, and his full-length male nude and semi-nude studies such as Hector of 1778 and Patroclus of 1780 show how he had begun to use light and shadow to give weight and density to his figures. Artist: DAVID, Jacques-Louis Title: Hector , painting Date: 1801-1850 French : other
   
 
 
 
 
   

Jacques-Louis  David Count Potocki oil


    Count Potocki
   new21/Jacques-Louis David-762983.jpg
  ID de tableau::  62871
  1781 Oil on canvas, 304 x 218 cm Muzeum Narodowe, Warsaw David received a lucrative commission for a grand portrait of a Polish nobleman, Count Stanislas Potocki. Although begun in Rome, the painting was actually completed a little later in Paris. Potocki came from one of the most celebrated Polish families, and had recently become very wealthy thanks to his wife's dowry. He was also a scholar, and translated and commented on the work of Winckelmann. Obviously his portrait had to be impressive and suggestive of his status. Therefore David depicted him on horseback, subduing a skittish horse with consummate ease. David turned to the example of the great Baroque portraitist Anthony van Dyck to create a work that was similar in scale and impact. Artist: DAVID, Jacques-Louis Title: Count Potocki , painting Date: 1801-1850 French : portrait
   
 
 
 
 
   

Jacques-Louis  David Portrait of Jacques oil


    Portrait of Jacques
   new21/Jacques-Louis David-729376.jpg
  ID de tableau::  62872
  Desmaisons 1782 Oil on canvas, 92 x 72 cm Albright-Knox Art Gallery, Buffalo After the death of his father following a pistol duel in December 1757, aged thirty-five, David was placed successively in the care of two uncles, Franeois Buron (1731-1818) and Jacques-Francois Desmaisons (c. 1720-1789), who were both architects and building contractors. Artist: DAVID, Jacques-Louis Title: Portrait of Jacques-Franeois Desmaisons , painting Date: 1801-1850 French : portrait
   
 
 
 
 
   

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