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Artists
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Luis Tristan
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le Roi de Louis de France Distribuant l-Aumône (mk05) new5/Luis Tristan-642895.jpg ID de tableau:: 20337 |
le Canevas, 96 1/2 x 72 › › (245 x 183 cm) Donné dans 1932 | |
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La Vision de St.Francis d-Assise (mk05) new5/Luis Tristan-483687.jpg ID de tableau:: 20339 |
le Canevas, 49 1/4 x 41 › › (125 x 104 cm) Donné dans 1879 | |
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The Adoration of the Magi new21/Luis Tristan-899786.jpg ID de tableau:: 62318 |
232 x 115 cm Museum of Fine Arts, Budapest Around 1600 the dominant influence in Toledo was that of El Greco. The link with the master was strongest in the distinguished painter Luis Trist?n, who stressed the Tenebrist aspects of some of El Greco's work. Trist?n's development was interrupted by his premature death, but not before he had completed work of such merit as the altarpiece in Yepes (1616) and that of Santa Clara de Toledo which was finished in 1623. The Adoration of the Magi probably formed part of an altarpiece in the Jeronymite Convent of the Queen in Toledo, together with an Adoration of the Shepherds (now in Cambridge), Pentecost (now in Bucharest) and Resurrection (lost). It has the same composition as the Yepes altarpiece, however, the faces of the figures are different | |
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Adoration of the Magi new21/Luis Tristan-238376.jpg ID de tableau:: 62319 |
1620 Oil on canvas Museum of Fine Arts, Budapest It is assumed that the figure at the bottom was painted after a model | |
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