huile sur la toile, vraie saveur de vieux maîtres.

A  B  C  D  E  F  G  H  I  J  K  L  M  N-O  P-Q  R  S  T-U  V  W-Z    index d'artistes

Les suédois

L'espagnol

Anglais

Le français

L'Allemand

Peignant après     

Thomas Luny

      (1759-1837), born in Cornwall, probably at St Ewe, was an English artist and painter, mostly of seascapes and other marine-based works. At the age of eleven, Luny left Cornwall to live in London. There he became the apprentice of Francis Holman, a marine painter who would have a great and long lasting artistic influence on Luny: Luny remained until 1780 in Holman's London studio, which, was first situated in Broad Street, St. George, and later relocated to Old Gravel Lane. In September 1777, Luny left Holman's studio for a while, to journey to France. During this particular expedition, Luny almost certainly strayed from France itself; his first exhibited picture in London, seen at the Society of Artists that same year, was given the title A distant view of the island of Madeira and Porto Santo, suggesting that an engraving had inspired his choice of subject. Similarly, it is unlikely that Luny was on hand for the Battle of the Nile, 1798, and the bombardment of Algiers, 1816, both of which he illustrated with dramatic atmosphere and credible realism. After leaving Holman's studio in 1780, Luny moved to Leadenhall Street during 1783. It was around this time that Luny was frequently exhibiting at the Royal Academy, in a total of twenty-nine exhibitions between 1780 and 1802. In Leadenhall Street, Luny became acquainted with a "Mr. Merle", a dealer and framer of paintings who promoted Luny's paintings for over twenty years, to great success. Luny also found a wealthy source of business in Leadenhall Street, where the British East India Company had their headquarters; their officers commissioned many paintings and portraits from Luny. This relationship between the Company and Luny also had several non-monetary benefits for Luny; it seems probable that, considering the great detail and realistic look of many of his sketches of locations such as Naples, Gibraltar, and Charleston, South Carolina, Luny was occasionally invited as a guest on the Company's ships on special occasions and voyages.

Thomas Luny Battle of the Nile painting


    Battle of the Nile
   new24/Thomas Luny-549895.jpg
ID de tableau::  75333
  1834(1834) Oil on canvas 70.5 X 45 cm (27.76 X 17.72 in) cjr
   
   
   

Thomas Luny

      (1759-1837), born in Cornwall, probably at St Ewe, was an English artist and painter, mostly of seascapes and other marine-based works. At the age of eleven, Luny left Cornwall to live in London. There he became the apprentice of Francis Holman, a marine painter who would have a great and long lasting artistic influence on Luny: Luny remained until 1780 in Holman's London studio, which, was first situated in Broad Street, St. George, and later relocated to Old Gravel Lane. In September 1777, Luny left Holman's studio for a while, to journey to France. During this particular expedition, Luny almost certainly strayed from France itself; his first exhibited picture in London, seen at the Society of Artists that same year, was given the title A distant view of the island of Madeira and Porto Santo, suggesting that an engraving had inspired his choice of subject. Similarly, it is unlikely that Luny was on hand for the Battle of the Nile, 1798, and the bombardment of Algiers, 1816, both of which he illustrated with dramatic atmosphere and credible realism. After leaving Holman's studio in 1780, Luny moved to Leadenhall Street during 1783. It was around this time that Luny was frequently exhibiting at the Royal Academy, in a total of twenty-nine exhibitions between 1780 and 1802. In Leadenhall Street, Luny became acquainted with a "Mr. Merle", a dealer and framer of paintings who promoted Luny's paintings for over twenty years, to great success. Luny also found a wealthy source of business in Leadenhall Street, where the British East India Company had their headquarters; their officers commissioned many paintings and portraits from Luny. This relationship between the Company and Luny also had several non-monetary benefits for Luny; it seems probable that, considering the great detail and realistic look of many of his sketches of locations such as Naples, Gibraltar, and Charleston, South Carolina, Luny was occasionally invited as a guest on the Company's ships on special occasions and voyages.

Thomas Luny Battle of the Nile painting


    Battle of the Nile
   new24/Thomas Luny-734655.jpg
ID de tableau::  77221
  Date 1834(1834) Medium Oil on canvas Dimensions 70.5 x 45 cm (27.8 x 17.7 in) cyf
   
   
   

Peignant après     

Also Buy::. For Following Paintings / Artists / Products, Please Use Our Search Online:
Benjamin C.Brown / Fete in a Wood s / Broceni / Nude intp / Dreams / View of Leiden cdfh / God Save the Queen Queen Victoria arrivi / Details of St Bernard-s Vision of the Vi / Under the Bridge at Hampton Court / Harlequin and Columbine / Details of The Little Garden of Paradise / The Sleeping Shepherd / I meeted My Dear Udnie In My Memory / Diana Cecil, Countess of Oxford / La Toilette / Interior with soldiers and a woman playi / Pendleton / Ialomita / Fisherman on the Beach -nn04- / The Blue Vase / Self-Portrait with Vanitas Symbols dddw / Jeantaud at the Mirror / Koloa / fox husband lauren life still / Vila Real / The Rape of Europa / Cascade de la Folie Chamonix -22- / Coronation of the Virgin sf / Landscape with Figures,Giverny / The sunflowers of waterside / Flying Demon -19- / Eve / Hampstead Heath with London in the dista / Corot la Palette d la main -11- / Yampa / Flaglerbeach / Le Divan Japonais / Model / Le Quai de Bercy / Jaunjelgave /