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Jacob Jordaens

      Flemish Baroque Era Painter, 1593-1678

Jacob Jordaens The Four Evangelists painting


    Les Quatre Evangélisateurs
   Jacob Jordaens8.jpg
ID de tableau::  2085
  1625 Musée du Louvre, Paris
   
   
   

Jacob Jordaens

      Flemish Baroque Era Painter, 1593-1678

Jacob Jordaens The Four Evangelists painting


    Les Quatre Evangélisateurs
   new3/Jacob Jordaens-378287.jpg
ID de tableau::  28418
  mk60 Canevas 53x46 1/2
   
   
   

Jacob Jordaens

      Flemish Baroque Era Painter, 1593-1678

Jacob Jordaens The four Evangelists painting


    The four Evangelists
   new19/Jacob Jordaens-997536.jpg
ID de tableau::  53796
  mk234 about 1625 134x118cm
   
   
   

Jacob Jordaens

      Flemish Baroque Era Painter, 1593-1678

Jacob Jordaens The Four Evangelists painting


    The Four Evangelists
   new23/Jacob Jordaens-587775.jpg
ID de tableau::  70328
  Medium Oil on canvas Dimensions 0134 X 118 cm
   
   
   

Abraham Bloemaert

      (1566, Gorinchem - 27 January 1651, Utrecht), was a Dutch painter and printmaker in etching and engraving. He was one of the "Haarlem Mannerists" from about 1585, but in the new century altered his style to fit new Baroque trends. Bloemaert was the son of an architect, who moved his family to Utrecht in 1575, where Abraham was first a pupil of Gerrit Splinter (pupil of Frans Floris) and of Joos de Beer. He then spent three years in Paris, studying under several masters, and on his return to his native country received further training from Hieronymus Francken. In 1591 he went to Amsterdam, and four years later settled finally at Utrecht, where he became dean of the Guild of St. Luke. He excelled more as a colourist than as a draughtsman, was extremely productive, and painted and etched historical and allegorical pictures, landscapes, still-life, animal pictures and flower pieces. In the first decade of the seventeenth-century, Bloemaert began formulating his landscape paintings to include pictoresque ruined cottagges and other pastoral elements. In these works, the religious or mythological figures play a subordinate role. Country life was to remain Bloemaert's favourite subject, which he depicted with increasing naturalism. He drew motifs such as peasant cottages, dovecotes and trees from life and then on his return to the studio, worked them up into complex imaginary scenes. Among his pupils are his four sons, Hendrick, Frederick, Cornelis, and Adriaan (all of whom achieved considerable reputation as painters or engravers), the two Honthorsts, Ferdinand Bol and Jacob Gerritsz Cuyp.

Abraham Bloemaert The Four Evangelists painting


    The Four Evangelists
   new26/Abraham Bloemaert-697566.jpg
ID de tableau::  96135
  1615 Medium painting cyf
   
   
   

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