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Tableau:: paysage
Précédent  416  417  418  419  420  421  422  423  424  425  426  427  428  429  430  431  432  433  434  435  Prochaine
Artiste: Thomas Cole
Thomas Cole The Architect's Dream oil painting picture wholesale


Thomas Cole The Architect's Dream oil painting picture wholesale

The Architect's Dream
ID de tableau:: 62883
1840 Oil on canvas, 136 x 214 cm Museum of Art, Toledo, Ohio Cole called Turner the prince of evil spirits, and he sought a form of expression for his megalomanic visions that at first sight looks more peaceful. In this painting the excessive size of the capital, on which the architect has reclined in reflection, only becomes clear on closer inspection. However, the reversal of the real conditions is intrinsically threatening, and this is hardly more peaceful than Turner's chaos. Artist: COLE, Thomas Title: The Architect's Dream , painting Date: 1801-1850 American : other

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Artiste: unknow artist
unknow artist The Castle of Batavia oil painting picture wholesale


unknow artist The Castle of Batavia oil painting picture wholesale

The Castle of Batavia
ID de tableau:: 62884
Seen from Kali Besar West 1656 Oil on canvas, 108 x 151,5 cm Rijksmuseum, Amsterdam Dutch expansion overseas was in both directions, eastward and westwards. In particular, it was the establishment of the Dutch East India Company (VOC) in 1602 and the Dutch West India Company (WIC) in 1621, each with clearly demarcated areas of activity, that caused the number of Dutch overseas territories to increase rapidly. Some of the settlements in the western hemisphere were only briefly under Dutch administration: Northern Brazil (1624-1661) and New Holland, with the city of New Amsterdam ethe future New York eat the mouth of the Hudson river (1628-1664). On the other hand, the islands of Curacao, Aruba, Bonaire, St. Eustatius, Saba and St. Martin are still Dutch, while Surinam became independent in 1975. The Far Eastern territories were the most important, including settlements in India, Ceylon (now Sri Lanka), Malacca (now part of Malaysia), Formosa (now Taiwan), the Japanese island of Deshima and the Indonesian archipelago. It was here, in Batavia on the island of Java, that the VOC established its administrative headquarters, with a governor-general in charge from 1610 onwards. Trading contracts were signed and alliances concluded with local princes. In 1652, a staging post for VOC ships was established at the southern tip of Africa, known as the Cape of Good Hope. The arrival of settlers was to transform this into a fully-fledged Dutch colony. In the background of the paianting is the castle of Batavia, the bastion of Dutch rule in Asia. This was where the VOC's administrators lived. The governor-general is just arriving in town with his retinue. In the foreground is a market by the Kali Besar, or Great River. The Dutch built Batavia in 1619 on the site of Jakarta, which they had destroyed. Beeckman was commissioned by the voc to paint this peaceful scene on the spot. Artist: BEECKMAN, Andries Title: The Castle of Batavia, Seen from Kali Besar West , painting Date: 1651-1700 Dutch : landscape

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Artiste: Waldemar Rosler
Waldemar Rosler Landscape in lights fields in the winter oil painting picture wholesale


Waldemar Rosler Landscape in lights fields in the winter oil painting picture wholesale

Landscape in lights fields in the winter
ID de tableau:: 62894
Landscape in lights fields in the winter mk184 1912 oils on Lwd 66x95cm

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Artiste: Michelangelo Buonarroti
Michelangelo Buonarroti View of the Chapel oil painting picture wholesale


Michelangelo Buonarroti View of the Chapel oil painting picture wholesale

View of the Chapel
ID de tableau:: 62909
Palazzi Pontifici, Vatican Between 1537 and 1540, Antonio da Sangallo the Younger built the Pauline Chapel in the Vatican, as Pope's (Paul III) private chapel. In 1541 Michelangelo was asked to decorate the central parts of the two longer walls with two frescoes. The first, The Conversion of Saint Paul, was begun in 1542; the second, the Martyrdom of St Peter, was painted between 1546 and 1550. Before this, no one had ever attempted to place these two themes next to each other. Michelangelo portrays what is by this time his plan of life: death for the faith must follow conversion and be its confirmation. To Paul, who has fallen and has been forced to shut his eyes because of the brilliance of divine light, he gives his own face and makes Peter, nailed to the cross, in the supreme tension of the last moment of life, forcefully look at the spectator. Artist: MICHELANGELO Buonarroti Title: View of the Chapel Date: 1501-1550 Italian , painting : other

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Artiste: Michelangelo Buonarroti
Michelangelo Buonarroti Exterior of the Sistine Chapel oil painting picture wholesale


Michelangelo Buonarroti Exterior of the Sistine Chapel oil painting picture wholesale

Exterior of the Sistine Chapel
ID de tableau:: 62931
1475-83 - Cappella Sistina, Vatican This is a reconstruction of the original design of the Sistine Chapel seen from the northwest corner, with the crenellations and chemin-de-ronde, before the addition of the buttresses on the long walls, and before the altar wall windows were closed and other buildings raised alongside. Artist: MICHELANGELO Buonarroti Painting Title: Exterior of the Sistine Chapel , 1501-1550 Painting Style: Italian , , religious

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Artiste: BOTTICELLI, Sandro
BOTTICELLI, Sandro The Abyss of Hell oil painting picture wholesale


BOTTICELLI, Sandro The Abyss of Hell oil painting picture wholesale

The Abyss of Hell
ID de tableau:: 62946
1480s Coloured drawing on parchment, 320 x 470 mm Biblioteca Apostolica Vaticana, Rome Dante imagined Hell as being an abyss with nine circles, which in turn divided into various rings. Botticelli's cross-section view of the underworld is drawn so finely and precisely that it is possible to trace the individual stops made by Dante and Virgil on their descent to the centre of the earth. Artist: BOTTICELLI, Sandro Painting Title: The Abyss of Hell , 1451-1500 Painting Style: Italian , graphics Type: other

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Artiste: RUBENS, Pieter Pauwel
RUBENS, Pieter Pauwel Summer oil painting picture wholesale


RUBENS, Pieter Pauwel Summer oil painting picture wholesale

Summer
ID de tableau:: 63045
142,8 x 222,8 cm Royal Collection, Windsor The painting is a companion scene to Winter (also in the Royal Collection), although it was only when both pictures were in the collection of Frederick, Prince of Wales, that they seem to have been treated as a pair. X-ray examination reveals that the priming on all the additional pieces of canvas is identical, but differs from that of the central section of this work. It appears that the design on the initial piece of canvas had not been fully resolved in all respects by the time the extra portions were added. The join on the left is on a line with the tall windswept trees, which seem to have been painted over the sky and therefore may be regarded as an adaptation of the original design, which most probably incorporated a clear view through to the horizon. On the right the design has been more radically changed as a result of the addition. A steep bank (still visible to the naked eye) originally closed the composition, but this was painted out so that the horizon could be extended in the upper half and a further group of farm buildings introduced in the middle distance. The addition along the lower edge allowed for the horse and cart in the immediate foreground. In effect, if the additions are discounted, the original composition remains an entity in its own right, but the changes alter the dynamics of the painting, placing greater emphasis on the peasants wending their way to market. The composition of Summer is distinguished. There is an emphasis on contrasting diagonals that reinforces the sense of movement begun by the figures in the foreground. The eye is plunged into the distance across a glorious landscape that is positively pantheistic in its celebration of nature (note the cow being mounted in the centre of the composition). Regardless of differences in scale and style, a telling comparison can be made between Summer and The Flemish Fair by Jan Brueghel the Elder. Interestingly, it has been suggested that the composition of Summer depends upon a lost painting by Pieter Bruegel the Elder entitled On the Way to Market, only known today through an anonymous drawn copy in the Staatliche Graphische Sammlung, Munich. Artist: RUBENS, Pieter Pauwel Painting Title: Summer , 1601-1650 Painting Style: Flemish , , landscape

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Artiste: KEIRINCKX, Alexander
KEIRINCKX, Alexander Forest Scene - Oil on oak oil painting picture wholesale


KEIRINCKX, Alexander Forest Scene - Oil on oak oil painting picture wholesale

Forest Scene - Oil on oak
ID de tableau:: 63053
56,5 x 87,5 cm National Gallery, Prague Artist: KEIRINCKX, Alexander Painting Title: Forest Scene , 1601-1650 Painting Style: Flemish , , landscape

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Artiste: MARIESCHI, Michele
MARIESCHI, Michele The Grand Canal at San Geremia - Oil on canvas oil painting picture wholesale


MARIESCHI, Michele The Grand Canal at San Geremia - Oil on canvas oil painting picture wholesale

The Grand Canal at San Geremia - Oil on canvas
ID de tableau:: 63054
54 x 82 cm Private collection Artist: MARIESCHI, Michele Painting Title: The Grand Canal at San Geremia , 1701-1750 Painting Style: Italian , , landscape

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Artiste: GUARDI, Francesco
GUARDI, Francesco The Piazzetta oil painting picture wholesale


GUARDI, Francesco The Piazzetta oil painting picture wholesale

The Piazzetta
ID de tableau:: 63055
1758 Oil on canvas, 49 x 83,5 cm Museo Civico, Treviso This painting is one of the earliest views of Venice painted by Francesco Guardi. Artist: GUARDI, Francesco Painting Title: The Piazzetta, Looking toward San Giorgio Maggiore , 1751-1800 Painting Style: Italian , , landscape

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Artiste: GUARDI, Francesco
GUARDI, Francesco The Torre del'Orologio oil painting picture wholesale


GUARDI, Francesco The Torre del'Orologio oil painting picture wholesale

The Torre del'Orologio
ID de tableau:: 63056
1765-70 Oil on canvas, 62,5 x 89,4 cm Akademie der bildenden K?nste, Vienna Ever since the early sixteenth century the view of Piazza San Marco has been partly determined by the Torre dell'Orologio, the construction of which was largely completed in 1506. Francesco Guardi represented the building here with the two storeys added to the wings in 1755. To the left of this is part of the Procuratie Vecchie, which at that time accommodated the procurators of San Marco, the most important representative magistracy after the Doge; on the right is the Basilica itself. It is striking that the square does not display the geometrical patterns of the paving which was laid in about 1723. Guardi recorded the view from a vantage point beyond the Campanile, though he adapted the result of his observations somewhat for the sake of the composition. By placing the walls of the Procuratie and the Torre parallel to the picture plane, the angle between these structures and the fa?ade of San Marco appear greater than in reality. This also has the effect of making the square much more spacious. There are also several details which do not entirely correspond with the actual situation, such as the three flagstaffs, which have been depicted lower and thinner than in actuality. A drawing by Guardi has been preserved that is virtually identical in terms of detail to the painting. Despite the prominent place of the Torre dell'Orologio it was seldom chosen as an independent motif by the Venetian vedutisti. Carlevaris and Canaletto did include it in paintings, but only as an incidental feature, and furthermore from a different angle. Francesco Guardi painted this theme at least eight times, always from virtually the same vantage point. Each time he gave a slightly different impression of the space by varying the relationships, the light and the positioning of the figures. In this painting the foreground is almost empty and the depth is only accentuated by the strikingly foreshortened fa?ade of San Marco and the lines of the three flagstaffs running parallel to it, and by the tents fluttering fitfully in the wind. In this simple composition Guardi emphasized the play of light and colour on the walls and the pavement. Artist: GUARDI, Francesco Painting Title: The Torre del'Orologio , 1751-1800 Painting Style: Italian , , landscape

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Artiste: GUARDI, Francesco
GUARDI, Francesco The Doge on the Bucentaur at San Niccol del Lido oil painting picture wholesale


GUARDI, Francesco The Doge on the Bucentaur at San Niccol del Lido oil painting picture wholesale

The Doge on the Bucentaur at San Niccol del Lido
ID de tableau:: 63058
1766-70 Oil on canvas, 67 x 100 cm Musee du Louvre, Paris This painting belongs to a series of twelve canvases, almost all in the Louvre, which recount the various episodes in the election of Doge Alvise Mocenigo of Venice in 1763. In reporting this event Guardi was inspired by engravings after the other master of the Venetian veduta (view), Antonio Canaletto. An observant and picturesque record of the traditional Venetian festival, which was part official ceremony and part popular rejoicing, this series attests to the pictorial verve of Guardi and to his sensitivity to the most fleeting atmospheric effects, worthy of the Impressionists over a century later. Artist: GUARDI, Francesco Painting Title: The Doge on the Bucentaur at San Niccol?del Lido , 1751-1800 Painting Style: Italian , , landscape

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Artiste: GUARDI, Francesco
GUARDI, Francesco Landscape oil painting picture wholesale


GUARDI, Francesco Landscape oil painting picture wholesale

Landscape
ID de tableau:: 63059
120 x 152 cm The Hermitage, St. Petersburg One of the rare compositions of the artist not containing archtectural elements. Artist: GUARDI, Francesco Painting Title: Landscape , 1751-1800 Painting Style: Italian , , landscape

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Artiste: GUARDI, Francesco
GUARDI, Francesco Gondola oil painting picture wholesale


GUARDI, Francesco Gondola oil painting picture wholesale

Gondola
ID de tableau:: 63060
25 x 38 cm Museo Poldi Pezzoli, Milan The lonely gondola is seen in the lagoon at the Fondamente Nuove, in front of the islands of San Cristoforo and San Michele. Artist: GUARDI, Francesco Painting Title: Gondola , 1751-1800 Painting Style: Italian , , landscape

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Artiste: Meulener, Pieter
Meulener, Pieter Cavalry Skirmish - Oil on canvas oil painting picture wholesale


Meulener, Pieter Cavalry Skirmish - Oil on canvas oil painting picture wholesale

Cavalry Skirmish - Oil on canvas
ID de tableau:: 63061
73,2 x 116,5 cm Groeninge Museum, Bruges Meulener was a Flemish artist known by his battle scenes. The painting is signed with monogram on the roof of the mill on the right. Artist: MEULENER, Pieter Painting Title: Cavalry Skirmish , 1601-1650 Painting Style: Flemish , , other

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Artiste: VLIEGER, Simon de
VLIEGER, Simon de Stormy Sea - Oil on wood oil painting picture wholesale


VLIEGER, Simon de Stormy Sea - Oil on wood oil painting picture wholesale

Stormy Sea - Oil on wood
ID de tableau:: 63063
37 x 49,5 cm Private collection Artist: VLIEGER, Simon de Painting Title: Stormy Sea , 1601-1650 Painting Style: Dutch , , landscape

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Artiste: Canaletto
Canaletto Return of the Bucentoro to the Molo on Ascension Day oil painting picture wholesale


Canaletto Return of the Bucentoro to the Molo on Ascension Day oil painting picture wholesale

Return of the Bucentoro to the Molo on Ascension Day
ID de tableau:: 63066
1732 Oil on canvas Royal Collection, Windsor Artist: CANALETTO Painting Title: Return of the Bucentoro to the Molo on Ascension Day (detail) , 1701-1750 Painting Style: Italian , , landscape

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Artiste: Canaletto
Canaletto Venice Viewed from the San Giorgio Maggiore - Oil on canvas oil painting picture wholesale


Canaletto Venice Viewed from the San Giorgio Maggiore - Oil on canvas oil painting picture wholesale

Venice Viewed from the San Giorgio Maggiore - Oil on canvas
ID de tableau:: 63067
77 x 97 cm St?delsches Kunstinstitut, Frankfurt Artist: CANALETTO Painting Title: Venice Viewed from the San Giorgio Maggiore , 1701-1750 Painting Style: Italian , , landscape

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Artiste: Canaletto
Canaletto Piazza San Marco oil painting picture wholesale


Canaletto Piazza San Marco oil painting picture wholesale

Piazza San Marco
ID de tableau:: 63068
1735 Oil on canvas, 68,5 x 93,5 cm Galleria Corsini, Rome Artist: CANALETTO Painting Title: Piazza San Marco, Looking toward San Geminiano , 1701-1750 Painting Style: Italian , , landscape

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Artiste: Canaletto
Canaletto The Bucintore Returning to the Molo on Ascension Day c oil painting picture wholesale


Canaletto The Bucintore Returning to the Molo on Ascension Day c oil painting picture wholesale

The Bucintore Returning to the Molo on Ascension Day c
ID de tableau:: 63069
1740 Oil on canvas, 187 x 259 cm Pushkin Museum, Moscow The painting is presumably a replica, painted by Canaletto himself, of the painting executed for the Count of Gergy in 1726 and subsequently lost. The painting was executed on the occasion of the reception of the French Ambassador, Jacques Vincent Languet, Count of Gergy in Venice. Artist: CANALETTO Painting Title: The Bucintore Returning to the Molo on Ascension Day , 1701-1750 Painting Style: Italian , , landscape

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Tableau:: paysage