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Antonio Canova
   
Italian Neoclassical Sculptor, 1757-1822
Antonio Canova Recreation by our Gallery oil painting artist


Antonio Canova Recreation by our Gallery oil painting artist

Recreation by our Gallery
la Récréation par notre Galerie
ID de tableau::  32542
new9/Antonio Canova-274887.jpg
mk79 1789-1790
mk79 1789-1790
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Antonio Canova Recreation by our Gallery oil painting artist


Antonio Canova Recreation by our Gallery oil painting artist

Recreation by our Gallery
la Récréation par notre Galerie
ID de tableau::  32614
new9/Antonio Canova-633238.jpg
mk79 1798
mk79 1798
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Antonio Canova Marble oil painting artist


Antonio Canova Marble oil painting artist

Marble
le Marbre
ID de tableau::  38548
new12/Antonio Canova-832629.jpg
mk138 160x65x85cm In the Koniglichen Antikensamm-lung since 1830 transferred to the Nationalgalerie in 1878
mk138 160x65x85cm Dans l~Antikensamm-Poumon de Koniglichen depuis 1830 transféré au Nationalgalerie dans 1878
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Antonio Canova Tomb of Pope Clement XIII oil painting artist


Antonio Canova Tomb of Pope Clement XIII oil painting artist

Tomb of Pope Clement XIII
ID de tableau::  62405
new21/Antonio Canova-393836.jpg
1792 Marble Basilica di San Pietro, Vatican Here, too, Berninian references are not lacking, as in the figure of the pope, but the overall setting places the whole amongst the finest works of Neoclassical in general, not just in Rome. The asymmetrical figures of Religion and Genius generate a circular movement that pervades the entire composition. Author: CANOVA, Antonio Title: Tomb of Pope Clement XIII Form: sculpture , 1751-1800 , Italian , religious
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Antonio Canova The Three Graces Dancing oil painting artist


Antonio Canova The Three Graces Dancing oil painting artist

The Three Graces Dancing
ID de tableau::  62546
new21/Antonio Canova-667228.jpg
1799 Tempera on paper Canova Museum, Possagna Canova mentioned "various ideas on dances, the play between nymphs and cupids, muses, philosophers, etc., sketched exclusively for the artist's own study and enjoyment." There is little doubt he was referring to the tempera cycle at Possagno and similar sketches now in Bassano. Picking up the themes and techniques discovered in Herculaneum, Canova created brightly coloured mythological figures that stand out against the black background. These sketches are the forerunners of themes and figures he would later sculpt. The picture shows a detail from a frieze. Author: CANOVA, Antonio Title: The Three Graces Dancing Form: graphics , 1751-1800 , Italian , mythological
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