huile sur la toile, vraie saveur de vieux maîtres.


Les suédois

L'espagnol

Anglais

Le français

L'Allemand

  1
Artiste précédent      Artiste prochain    


Jan Baptist Weenix
   
(Amsterdam, 1621- Vleuten 1660), a painter of the Dutch Golden Age. Despite his relatively brief career, he was a very productive and versatile painter. His favourite subjects were Italian landscapes with large figures among ruins, seaside views, and, later in life, large still life pictures of dead game or dogs. He was mainly responsible for introducing the Italian harbour scene into Dutch art, in mid-size paintings with a group of figures in the foreground. Weenix was the son of an architect and born near Amsterdam's harbour. He could not speak well, apparently from a medical condition, and because he very much liked to read books, his mother sent him to work for a bookseller, who was not able to deal with him. He drew whenever he could, according to Jan Weenix his son, who told the story to Arnold Houbraken. Weenix first studied under Jan Micker, then in Utrecht under Abraham Bloemaert, and later back in Amsterdam under Claes Cornelisz. Moeyaert. In 1643 Weenix travelled to Rome with Nicolaes Pieterszoon Berchem. He had left his home secretly, but his wife, the daughter of Gillis d'Hondecoeter, traced him to Rotterdam. Then he was allowed to stay away for four months. In Rome he became a member of the Bentvueghels and was much esteemed and worked for Pope Innocent X. He returned to Amsterdam after four years; his wife had refused to come to Rome. In 1649 he became master of the guild of St. Luke in Utrecht and also painted a portrait of Rene Descartes. When his brother-in-law Gijsbert d'Hondecoeter died, he trained his nephew Melchior d'Hondecoeter, together with his own son Jan Weenix. Weenix moved to a castle outside Utrecht, to concentrate on his work or for health reasons, where he probably died in poor circumstances, at an unknown date. He painted a few religious scenes, one of the rare pieces of this kind being the "Jacob and Esau" (Gemäldegalerie Alte Meister, Dresden). In the National Gallery, London, is a "Hunting Scene" by Weenix, and Glasgow has a characteristic painting of ruins. Weenix is represented at most of the important continental galleries, notably at Munich, Vienna, Berlin, Amsterdam, and St Petersburg.

Jan Baptist Weenix Ancient Ruins oil painting artist


Jan Baptist Weenix Ancient Ruins oil painting artist

Ancient Ruins
ID de tableau::  66019
new22/Jan Baptist Weenix-898974.jpg
17th century Oil on canvas 80.5 x 68.3 cm (31.69 x 26.89 in)
Voir la galerie dans Suède


Jan Baptist Weenix Ancient Ruins oil painting artist


Jan Baptist Weenix Ancient Ruins oil painting artist

Ancient Ruins
ID de tableau::  67726
new23/Jan Baptist Weenix-659336.jpg
17th century Oil on canvas 80.5 X 68.3 cm (31.69 X 26.89 in)
Voir la galerie dans Suède


Jan Baptist Weenix Ancient Ruins oil painting artist


Jan Baptist Weenix Ancient Ruins oil painting artist

Ancient Ruins
ID de tableau::  70229
new23/Jan Baptist Weenix-484487.jpg
Medium Oil on canvas Dimensions 080.5 X 68.3 cm
Voir la galerie dans Suède


Jan Baptist Weenix Still Life with a Dead Swan oil painting artist


Jan Baptist Weenix Still Life with a Dead Swan oil painting artist

Still Life with a Dead Swan
ID de tableau::  70729
new23/Jan Baptist Weenix-583856.jpg
Medium Oil on canvas Dimensions Expression error: Missing operand for *152.4 ?? 153.7 cm
Voir la galerie dans Suède


Jan Baptist Weenix River Crossing oil painting artist


Jan Baptist Weenix River Crossing oil painting artist

River Crossing
ID de tableau::  90803
new25/Jan Baptist Weenix-458735.jpg
1647 Medium oil on canvas Dimensions 100 x 131.5 cm (39.4 x 51.8 in) cyf
Voir la galerie dans Suède


  1
Artiste précédent      Artiste prochain    

index de dessins: ABCDEFGHIJKLMNOPQRSTUVWXYZ
index d'artistes:    ABCDEFGHIJKLMNOPQRSTUVWXYZ