huile sur la toile, vraie saveur de vieux maîtres.


Les suédois

L'espagnol

Anglais

Le français

L'Allemand

Tableau précédent       Tableau Prochaine     

Eugene Delacroix

Eugene Delacroix Hamlet and Horatio in the Graveyard oil painting on canvas
Hamlet and Horatio in the Graveyard
ID de tableau::  62528
new21/Eugene Delacroix-896653.jpg
283 x 214 mm Biblioth?que Nationale, Paris Delacroix discovered Shakespeare in 1825 on a trip to London, where the celebrated Edmund Kean was playing Richard III. In Paris, the equally famous Talma - whose town house was decorated by Delacroix - did much to popularise Shakespeare's work in French. Delacroix saw Hamlet in Paris, in the company of Hugo, de Vigny, Dumas, Nerval and Berlioz. The Shakespearean hero, imperfect, immoderate and immature, was perfectly adapted to Delacroix's temperament, and gave free rein to his imagination; in his hands, the hero could be completed and perfected. It was, of course, Hamlet who most fascinated Delacroix. "Alas, poor Yorick! - I knew him, Horatio: a fellow of most infinite jest..." (Act V, Scene 1). The scene of Hamlet and Horatio in the Graveyard inspired a painting and a series of lithographs which mirror the development of his art as a whole. Author: DELACROIX, Eug?ne Title: Hamlet and Horatio in the Graveyard Form: graphics , 1801-1850 , French , other
Voir la galerie dans Suède



Eugene Delacroix Hamlet and Horatio in the Graveyard oil painting on canvas



  French Romantic Painter, 1798-1863
  283 x 214 mm Biblioth?que Nationale, Paris Delacroix discovered Shakespeare in 1825 on a trip to London, where the celebrated Edmund Kean was playing Richard III. In Paris, the equally famous Talma - whose town house was decorated by Delacroix - did much to popularise Shakespeare's work in French. Delacroix saw Hamlet in Paris, in the company of Hugo, de Vigny, Dumas, Nerval and Berlioz. The Shakespearean hero, imperfect, immoderate and immature, was perfectly adapted to Delacroix's temperament, and gave free rein to his imagination; in his hands, the hero could be completed and perfected. It was, of course, Hamlet who most fascinated Delacroix. "Alas, poor Yorick! - I knew him, Horatio: a fellow of most infinite jest..." (Act V, Scene 1). The scene of Hamlet and Horatio in the Graveyard inspired a painting and a series of lithographs which mirror the development of his art as a whole. Author: DELACROIX, Eug?ne Title: Hamlet and Horatio in the Graveyard Form: graphics , 1801-1850 , French , other

Tableau précédent       Tableau Prochaine     

index de dessins: ABCDEFGHIJKLMNOPQRSTUVWXYZ
index d'artistes:    ABCDEFGHIJKLMNOPQRSTUVWXYZ