b.July 16, 1486, Florence
d.Sept. 28, 1530, Florence
Italian Andrea del Sarto Galleries
ID de tableau:: 3244
Pieta Pieta 1519-20
Art History Museum, Vienna 1519-20 Le Musée dHistoire dArt, Vienne b.July 16, 1486, Florence
d.Sept. 28, 1530, Florence
Italian Andrea del Sarto Galleries
Italian painter, Brescian school (b. ca. 1484, Brescia, d. ca. 1559,
Brescia).
ID de tableau:: 8947
Pieta Pieta 1510
Oil on panel, 183 x 185) cm
Gallerie dell'Accademia, Venice 1510 Huiler sur le panneau, 183 x 185- cm Galerie de l-Accademia, Vénise Italian painter, Brescian school (b. ca. 1484, Brescia, d. ca. 1559,
Brescia).
ID de tableau:: 10063
Pieta Pieta 1455-60
Wood panel,
52x42 cm.
Academia Carrara
Bergamo, Italy 1455-60 panneau de Bois, 52x42 cm. L-université Carrara Bergamo, Italie Italian High Renaissance Painter, ca.1430-1516
ID de tableau:: 7827
Pieta Pieta 1643-45
Oil on canvas, 146 x 222 cm
Mus??e du Louvre, Paris 1643-45 Pétrole sur le canevas, 146 x 222 Louvre de du de Musee de cm, Paris French painter (b. 1619, Paris, d. 1690, Paris)
ID de tableau:: 19530
Pieta Pieta 1854
oil on canvas
Museum of Fine Arts, Gifu. 1854 pétrole sur le Musée de canevas de beaux-arts, Gifu. French
1826-1898
Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia).
ID de tableau:: 29786
Pieta Pieta mk67
Oil on panel
66 1/8x69 5/16in
Uffizi,Gallery
mk67 Pétrole sur le panneau 66 1/8x69 5/16in Uffizi, la Galerie Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia).
ID de tableau:: 29876
Pieta Pieta mk67
Oil on panel
67 5/16x50in
Accademia,Gallery
mk67 Pétrole sur le panneau 67 5/16x50in Accademia, la Galerie Italian , Florentine artist , (1542-1629)
b. cca 1400, Rottweil, d. ca. 1445, Basel. German-born painter from Rottweil in Swabia, active in Switzerland.
ID de tableau:: 31731
Pieta Pieta mk76
Date unknown
Tempera on panel
13 1/8x17 1/2in
mk76 Date Détrempe inconnue sur le panneau 13 1/8x17 1/2in b. cca 1400, Rottweil, d. ca. 1445, Basel. German-born painter from Rottweil in Swabia, active in Switzerland.
ID de tableau:: 32867
Pieta Pieta mk84
1560-70
Madrid,
Real Academia de Bellas Artes
Panel
126x98cm
mk84 1560-70 Madrid, la Vraie Université des Arts de Bellas Lambrise 126x98cm Spanish Mannerist Painter, ca.1520-1586
ID de tableau:: 33331
Pieta Pieta mk86
1365
Tempera on wood
122x58cm
Florence
Galleria dell'Accademia
mk86 1365 Détrempe sur le bois 122x58cm Florence Galleria Italian Gothic Era Painter, active 1350-1369
ID de tableau:: 33355
Pieta Pieta mk86
c.1400
Tempera on wood,diameter
Paris,Musee National du Louvre
mk86 c. 1400 Détrempe sur le bois, Paris de diamètre, Musee du Louvre National Niemegan before 1370-Dijon 1415
ID de tableau:: 33391
Pieta Pieta mk86
after1490
Tempera on wood
140x207cm
Munich,Bayerische Staatsgemaldesammlungen,Alte Pinakothek
mk86 after1490 Détrempe sur le bois 140x207cm Munich, Bayerische Staatsgemaldesammlungen, Alte Pinakothek Italian Early Renaissance Painter, 1445-1510
ID de tableau:: 33444
Pieta Pieta mk86
c.1460
Tempera on panel
162x217cm
Paris,Musee National du Louvre
mk86 c. 1460 Détrempe sur lambrise 162x217cm Paris, Musee du Louvre National active in Provence 1444-1466
b.July 16, 1486, Florence
d.Sept. 28, 1530, Florence
Italian Andrea del Sarto Galleries
ID de tableau:: 33475
Pieta Pieta mk86
c.1519/20
Oil on wood
99x120cm
Vienna,Kunsthistorisches Museum
mk86 c.1519/20 Pétrole sur le bois 99x120cm Vienne, le Musée de Kunsthistorisches b.July 16, 1486, Florence
d.Sept. 28, 1530, Florence
Italian Andrea del Sarto Galleries
ID de tableau:: 33494
Pieta Pieta mk86
c.1573-1576
Oil on canvas
351x389cm
Venice,Galleria dell'Accademia
mk86 c.1573-1576 Pétrole sur le canevas 351x389cm Vénise, Galleria
ID de tableau:: 40150
Pieta Pieta mk156
1365
Tempera on panel
122x58cm
mk156 1365 Détrempe sur lambrise 122x58cm Italian Gothic Era Painter, active 1350-1369
ID de tableau:: 55976
pieta mk247
1494 to 95,tempera on wood panel,24.25x35.75 in,62x91 cm,uffizi,florenec,ltaly Italian
1450-1523
Pietro Perugino Galleries
ID de tableau:: 86113
Pieta Date 1510(1510)
Medium Oil on panel
Dimensions Height: 183 cm (72 in). Width: 185 cm (72.8 in).
cjr Italian High Renaissance Painter, 1484-1562
ID de tableau:: 86904
Pieta Date 1508(1508)
Medium Oil on wood
Dimensions Height: 80 cm (31.5 in). Width: 80 cm (31.5 in).
cjr Italian
1480-1556
Lorenzo Lotto Galleries
ID de tableau:: 87154
Pieta Date c. 1464(1464)
Medium Oil on wood
Dimensions Height: 35.5 cm (14 in). Width: 45 cm (17.7 in).
cjr Netherlandish Northern Renaissance Painter, ca.1400-1464
(c.1469-1525) was a painter from Reval (now Tallinn, Estonia) who was trained in the tradition of Early Netherlandish painting. For most of his life, Sittow worked as a court portrait painter, for Isabella of Castille, the Habsburgs and others in Spain and the Netherlands. He was one of the most important Flemish painters of the era.
ID de tableau:: 88823
Pieta 1500(1500)
Medium Oil on oak panel
cyf (c.1469-1525) was a painter from Reval (now Tallinn, Estonia) who was trained in the tradition of Early Netherlandish painting. For most of his life, Sittow worked as a court portrait painter, for Isabella of Castille, the Habsburgs and others in Spain and the Netherlands. He was one of the most important Flemish painters of the era.
(November 29, 1806 e December 30, 1879) was a Brazilian Romantic writer and painter, as well as an architect, diplomat and professor. He is patron of the 32nd chair of the Brazilian Academy of Letters.
Porto-alegre was born Manuel Jose de Araejo in Rio Pardo, to Francisco Jose de Araejo and Francisca Antônia Viana. He would change his name to Manuel de Araejo Pitangueira during the independence of Brazil, due to nativist causes. Later on, he finally changed it to its definitive form: Manuel de Araejo Porto-alegre.
In 1826, he moved to Rio de Janeiro, in order to study painting with Jean-Baptiste Debret at the Escola Nacional de Belas Artes. He also studied at what is now the Academia Militar das Agulhas Negras and took a Medicine course and Philosophy. In 1831, he left Brazil along with Debret to Europe, in order to improve his painting techniques. In 1835, he went to Italy, where he met Gonçalves de Magalhães, another Brazilian poet. He and Magalhães would create in France, in the year of 1837, a short-lived magazine named Niterei, alongside Francisco de Sales Torres Homem. Also in 1837, he becomes history painting teacher at the Escola Nacional de Belas Artes, in a post that would last until 1848, when he would become a drawing teacher at the Academia Militar das Agulhas Negras, and starts doing his first caricatures. In 1838, he married Ana Paulina Delamare, having with her two children: Carlota Porto-alegre (the future wife of painter Pedro Americo) and future diplomat Paulo Porto-alegre.
In 1840 he is named the official painter and decorator of Emperor Pedro II's palace. He decorated the imperial palace in Petrepolis, the wedding of Pedro II with Teresa Cristina of the Two Sicilies and the aforementioned emperor's coronation. He was decorated with the Order of Christ and the Order of the Rose.
Reuniting with Gonçalves de Magalhães and Torres Homem, he founded a periodic named Minerva Brasiliense, that lasted from 1843 to 1845. He would publish in this periodic his poem Brasiliana. In 1844, alongside Torres Homem, he founded the humoristic magazine Lanterna Megica, where he published his caricatures.
In 1849, Porto-alegre founded the magazine Guanabara, alongside Joaquim Manuel de Macedo and Gonçalves Dias. The magazine, considered the official journal of the Romantic movement in Brazil, lasted until 1856.
ID de tableau:: 94286
Pieta cjr (November 29, 1806 e December 30, 1879) was a Brazilian Romantic writer and painter, as well as an architect, diplomat and professor. He is patron of the 32nd chair of the Brazilian Academy of Letters.
Porto-alegre was born Manuel Jose de Araejo in Rio Pardo, to Francisco Jose de Araejo and Francisca Antônia Viana. He would change his name to Manuel de Araejo Pitangueira during the independence of Brazil, due to nativist causes. Later on, he finally changed it to its definitive form: Manuel de Araejo Porto-alegre.
In 1826, he moved to Rio de Janeiro, in order to study painting with Jean-Baptiste Debret at the Escola Nacional de Belas Artes. He also studied at what is now the Academia Militar das Agulhas Negras and took a Medicine course and Philosophy. In 1831, he left Brazil along with Debret to Europe, in order to improve his painting techniques. In 1835, he went to Italy, where he met Gonçalves de Magalhães, another Brazilian poet. He and Magalhães would create in France, in the year of 1837, a short-lived magazine named Niterei, alongside Francisco de Sales Torres Homem. Also in 1837, he becomes history painting teacher at the Escola Nacional de Belas Artes, in a post that would last until 1848, when he would become a drawing teacher at the Academia Militar das Agulhas Negras, and starts doing his first caricatures. In 1838, he married Ana Paulina Delamare, having with her two children: Carlota Porto-alegre (the future wife of painter Pedro Americo) and future diplomat Paulo Porto-alegre.
In 1840 he is named the official painter and decorator of Emperor Pedro II's palace. He decorated the imperial palace in Petrepolis, the wedding of Pedro II with Teresa Cristina of the Two Sicilies and the aforementioned emperor's coronation. He was decorated with the Order of Christ and the Order of the Rose.
Reuniting with Gonçalves de Magalhães and Torres Homem, he founded a periodic named Minerva Brasiliense, that lasted from 1843 to 1845. He would publish in this periodic his poem Brasiliana. In 1844, alongside Torres Homem, he founded the humoristic magazine Lanterna Megica, where he published his caricatures.
In 1849, Porto-alegre founded the magazine Guanabara, alongside Joaquim Manuel de Macedo and Gonçalves Dias. The magazine, considered the official journal of the Romantic movement in Brazil, lasted until 1856.
Rogier van der Weyden 1399/1400 - 1464 was the most important representative of Netherlandish painting or Northern Renaissance
ID de tableau:: 97633
Pieta 1448(1448)
Medium oil on panel
Dimensions 96 x 126.5 cm
cyf Rogier van der Weyden 1399/1400 - 1464 was the most important representative of Netherlandish painting or Northern Renaissance
Rogier van der Weyden Rogier van der Weyden 1399/1400 - 1464 was the most important representative of Netherlandish painting or Northern Renaissance
Pieta
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